‘Don’t Follow the Wind’ is a refrain we need to remember in today’s radioactive environment. It is also the poignant title of the inaccessible exhibition Jonathon Jones so crudely criticizes ('Apocalyspe No! Why artists should not go into the Fukushima exclusion zone' Guardian 10.07.2015). Jones is so busy pontificating on his nuclear beliefs he doesn’t tell us anything about the art project.

Ele Carpenter presented her current work on the Atomic Sublime and Radioactive Divinity at the Radiation Ecologies Conference, University of Montréal, Canada, 14-15 March 2015. https://rethinkingradiationecologies.wordpress.com/

A lecture by Ele Carpenter as part of the Citizen Sense 'Sensing Practices' seminar series.
26 November 2014, 16:00 - 18:00. RHB 138, Goldsmiths, University of London.
All Welcome.

23^rd July, 2014. I write in a small apartment in Sapporo, Japan, it’s at least 30 degrees, the sun sets quickly and the traffic is relentless. Last night I came back from a two day field trip to the north of Hokkaido with a group of artists and activists as part of the Actinium project in Sapporo. The aim of the trip was to experience that mythical journey deep underground to see the engineering and geological research into radioactive waste storage.