ele's blog

Atomic Memoir

Submitted by ele on
Lines of Flight, Julie Salverson.

An Atomic Memoir: Julie Salverson in conversation with James Flint
Thursday 1st September, 6-7.30pm

Arts Catalyst Centre for Art, Science & Technology
74-76 Cromer Street, London WC1H 8DR

Material Nuclear Culture

Submitted by ele on
Tudor Rose, William Morris, 1883. Courtesy Devonport Naval Heritage.

Material Nuclear Culture
KARST Gallery, Plymouth
18 June - 14 August 2016
Roundtable: Saturday 18 June
Artists: James Acord, Thomson & Craighead, Erika Kobayashi, David Mabb, Susan Schuppli and Kota Takeuchi.
The exhibition is a partnership between KARST and Arts Catalyst, curated by Ele Carpenter.

Perpetual Uncertainty: Bildmuseet

Submitted by ele on
Yelena Popova, Unnamed, film still

Bildmuseet, Umeå University, Sweden: 2 Oct 2016 - 16 April 2017
An exhibition of contemporary art in the nuclear Anthropocene exploring the complexity of knowledge and the deep time of radiation. The exhibition brings together twenty-five international artists from across Europe, the USA and Japan, investigating nuclear aesthetics through the material sensing of nuclear sites and experiences.

European Consultation on Geologic Repositories

Submitted by ele on
Absent Interpreters, E-Track Launch, Brussels, Nov 2015

18 November 2015 sees the launch of the European Union 'Energy - Transparency Centre of Knowledge' (E-TRACK) initiative. This is a massive programme of public participation in the implementation of energy policies, and the first project focuses on Radioactive Waste Management (RWM) following the legally binding requirements for transparency of the Council Directive 2011/70/EURATOM on spent fuel and radioactive waste.

Deconstructing Acceptance

Submitted by ele on
Cumbrian Alchemy, Robert Williams & Bryan McGovern Wilson (2013)

Ele Carpenter contributed to the workshop on 'Deconstructing acceptance – Siting radioactive waste repositories from societal and scientific perspectives' organized by the Environmental Policy Research Centre, FU Berlin, in the framework of the ENTRIA project (Disposal Options for Radioactive Residues: Interdisciplinary Analyses and Development of Evaluation Principles).

Don't Follow the Wind: why artists should go into the exclusion zone

Submitted by ele on
2012年3月17日(土) - 4月1日(日) 12:00 - 20:00 ／月曜休廊

‘Don’t Follow the Wind’ is a refrain we need to remember in today’s radioactive environment. It is also the poignant title of the inaccessible exhibition Jonathon Jones so crudely criticizes ('Apocalyspe No! Why artists should not go into the Fukushima exclusion zone' Guardian 10.07.2015). Jones is so busy pontificating on his nuclear beliefs he doesn’t tell us anything about the art project.

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