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Nuclear Culture

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Report on the Nuclear Culture Symposium

Submitted by ele on 24 May 2013

Cecile Massart, Nuclear Semiotics Roundtable, April 2012

Co-authored by Ele Carpenter (Goldsmiths College, http://nuclear.artscatalyst.org) and Jantine Schröder (University of Antwerp, www.insotec.eu).

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About the Project

Dr Ele Carpenter is Curator of the Nuclear Culture project and convenor of the Nuclear Culture Research Group. Her curatorial research investigates nuclear aesthetics through commissioning new artwork, publishing, curating exhibitions, site visits and roundtable discussions in partnership with arts organisations and nuclear agencies. Ele regularly participates in European workshops on the role of culture in long-term radioactive waste management, and was interviewed for 'Radioactive Art' on BBC Radio 4 (2 March, 2017). Carpenter is Professor in Interdisciplinary Art & Culture at Umeå University, Sweden, and Visiting Research Fellow, Institute of the Arts, University of Cumbria.

Recent curated exhibitions and roundtable discussions include: 'Splitting the Atom' CAC Vilnius, Lithuania (2020), ‘Perpetual Uncertainty’ Malmö Konstmuseum, Sweden (24 Feb – 26 Aug 2018), Z33 House of Contemporary Art, Hasselt, Belgium (Sept - Dec 2017), Bildmuseet, Umeå University, Sweden (Oct 2016 - April 2017); ‘Material Nuclear Culture’ KARST, Plymouth, UK (June-Aug 2016); ‘Actinium’, S-AIR, Sapporo, Japan (July 2014). Ele is editor of The Nuclear Culture Source Book (2016).

The project has been supported by: Bildmuseet, Z33, Malmo Konstmuseum, The Arts Catalyst, Arts Council England, AHRC Early Career Research Fellowship 2012-13, Daiwa Foundation, Goldsmiths University of London, CHASE Doctoral Training Programme , and Umeå University.

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