Andy Weir. Deep Decay: Into Diachronic Polychromatic Material Fictions

Beyond debates around ethics of responsibility to future generations, artist and writer Andy Weir argues that what is invoked is a more radical futurity, where human thought confronts its contingency alongside nuclear timescales. What specific knowledge can art practices give us in this context? What are their potentials and problems? And what could this mean for the historical conditions of ‘contemporary art’?