18 November 2015 sees the launch of the European Union 'Energy - Transparency Centre of Knowledge' (E-TRACK) initiative. This is a massive programme of public participation in the implementation of energy policies, and the first project focuses on Radioactive Waste Management (RWM) following the legally binding requirements for transparency of the Council Directive 2011/70/EURATOM on spent fuel and radioactive waste.
Ele Carpenter will contribute to the workshop on 'Deconstructing acceptance – Siting radioactive waste repositories from societal and scientific perspectives' organized by the Environmental Policy Research Centre, FU Berlin, in the framework of the ENTRIA project (Disposal Options for Radioactive Residues: Interdisciplinary Analyses and Development of Evaluation Principles).
‘Don’t Follow the Wind’ is a refrain we need to remember in today’s radioactive environment. It is also the poignant title of the inaccessible exhibition Jonathon Jones so crudely criticizes ('Apocalyspe No! Why artists should not go into the Fukushima exclusion zone' Guardian 10.07.2015). Jones is so busy pontificating on his nuclear beliefs he doesn’t tell us anything about the art project.
Bildmuseet, Umeå Sweden
27 Nov 2016 – 16 April 2017
An exhibition of contemporary art in the nuclear Anthropocene exploring the complexity of knowledge and the deep time of radiation. The exhibition brings together twenty-five international artists from across Europe, the USA and Japan, investigating nuclear aesthetics through the material sensing of nuclear sites and experiences.
The Nuclear Culture Source Book
Editor: Ele Carpenter
Contributors: Timothy Morton, Peter C van Wyck, Noi Sawaragi, Kodwo Eshun, Susan Schuppli, et al
Published by Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst, London.
25 cm x 18 cm / 7 in x 10 in
UK Sep 16 | US/CAN Oct 16